Below, Alan Van Gysen offers a behind-the-scenes insight into his involvement in Now Now Media's RidingThe Sardine Run documentary, sharing some of the challenges and unique moments from the shoot.
How did you get into surfing?
The first two times my parents took me to the beach - the second being one of my earliest memories as a child, I hated it. The wind, the sand, the cold… it was not a good start. Until about 13 years old I was genuinely terrified of the ocean. The big waves, the deep unknown… but then something changed, and the unknown lured me in to take a closer look, and I fell headlong into the world of surfing and I’ve never looked back. Now there is not a day that goes by that my wetsuit isn’t dripping on the line, and I’m not in the cold Atlantic Ocean surfing, paddling, diving, swimming, filming… it’s a special place.
How did you get into documentary film making?
I got into documentary film making after following the many breadcrumbs that were set out before me, and walking by faith rather than by sight to embrace the ever changing industry I’ve been in for just under three decades. From film-only days, to digital, digital to social, print stills to motion picture etc. And I think the love for documentaries stems from this African proverb - "In the end we will conserve only what we love; we will love only what we understand; we will understand only what we are taught”. It’s about the relationship between love, understanding, and learning.
Can you describe the overall vision or theme you wanted to explore in the documentary? How did you bring that vision to life on screen?
The overall vision for the film was to document and showcase the world's greatest migration of marine animals - the sardine run, through the eyes of a group of traveling surfers while they gave chase of the seasonal winter waves from Cape Town to Durban in a realtime, cinéma vérité style film that is set along one of the oldest, traditional tribe lands in the world.